Marshall Graphics Systems

 

Product Details_ Used in good condition

 

$4,120.00 Plus tax if applicable

 

 

• What We Think: For high end project studios and small professional studios, the Sony R100 Digital console offers some of the finest digital mixing available in the industry at a remarkably good price. The R100 offers features full automation, as well as Sony's acclaimed digital EQ and compression on every channel. The quality of the built in a/d and d/a converters are also especially noteworthy when compared to that of the competition. Be sure and check out dmxr100.com for great info, downloads, and the latest software updates!
• Manufacturer: Sony
• Manufacturer's Description: The DMX-R100 gives studio owner/operators the opportunity to own and enjoy the latest technology from Sony, a fully professional digital mixer designed especially for the production of high quality stereo and surround sound projects. It has an impressive pedigree as it shares many design features as the critically acclaimed Sony OXF-R3 audio mixer. The stunning performance, operational and flexibility of DMX-R100 satisfy the creative needs of producers, artists and engineers in applications ranging from music studios post production, audio pre-mastering to live installations. Fully professional features The DMX-R100 offers extensive features and excellent processing quality, making it suitable for the most ?quality conscious? projects. Simple to operate The control surface of the DMX-R100 is based on the same principles of ?positive assignability?, developed for the large scale Sony OXF-R3 mixer. Freelance engineers will find the DMX-R100 highly fast and intuitive to operate. Versatile enough to handle modern audio projects The DMX-R100 has been designed to handle a wide range of audio production tasks, including DVD sound tracks, high quality music recording, surround sound TV production. The versatility of the mixer will allow owners to extend their range of services. Superb ergonomic design and excellent processing quality The control surface has been designed to ensure there are no ?barrier? to operating the console. For example there is a full set of channel processing controls on the assignable panel (30 rotary and 50 switches). The controls are highly responsive and have high resolution, creating an ?analogue feel?. The mixer delivers excellent audio processing quality, through the use of high performance analogue and digital circuit designs. DMX-R100 automation can increase productivity The DMX-R100 has extensive snapshot and dynamic automation. The snapshot system allows operating modes to be ?instantly? recalled, so minimising down time between projects. The dynamic automation provides a complete set of creative tools for the mixing process. Simple and inexpensive to install DMX-R100 has many standard integration features reducing the need for external interface devices. This makes the mixer simple to install and reduces the overall system cost. These features include an internal wordclock generator, video reference input, comprehensive machine control, timecode reader/generator and ports of PC ports for keyboard/mouse/VDU. Compact and silent All of the DMX-R100 components are contained in the mixer unit. The mixer is highly compact (weighs 55 Kg, width 1.2 metres) and power consumption is only 200 W and very importantly the DMX-R100 is acoustically silent. Surround Sound processing DMX-R100 can be operated in both stereo and surround sound (5.1) modes. The comprehensive surround sound processing includes mixing, panning and a ?6-way? control room monitor output. Surround panning is directly controlled by moving the cursor on a touch screen GUI, it can also be controlled by an externally connected PC mouse. Standard and double sample operating mode DMX-R100 can operate at standard (44.1 and 48kHz) and at double sample rates (88.2 and 96kHz). At double sample rates the number of processing channels is effectively halved (24 input channels and eight output buses). All of the analogue and AES/EBU I/O operates in both standard and double sample modes. Extensive audio processing in a compact mixer The 1.2 metre wide DMX-R100 offers a large amount of processing channels. The standard specification is 48 inputs channels (plus 8 simple aux return channels) and 18 output buses (8 multi-track, 8 Aux and the stereo PGM). There are a total of 66 EQ and dynamics processing sections, the input channels also offer HP/LP filters and a programmable delay (999milli-sec at 48kHz). High quality analogue converters All of the analogue inputs and outputs on the DMX-R100 are 24-bit and operate at both standard and double sample rates. All of the analogue I/O is also balanced (except the inserts). As standard the mixer is supplied with 24 mic/line inputs, 12 of which can be phantom powered (48v), and 18 analogue outputs. Additional analogue I/O can be configured into the four option slots. Superb control surface ergonomics featuring 25 high quality touch sensitive faders The DMX-R100 has a highly intuitive control surface designed around the concept of ?positive assignability?. An experienced sound operator will find the DMX-R100 simple and fast to operate. The DMX-R100 features 25 high quality touch sensitive faders that provide 10-bit control resolution. The touch sensitivity provides significant operational advantages in automation modes. Powerful internal audio routing matrix The DMX-R100?s internal audio matrix not only provides extensive crosspoint switching for virtually every input and output but also eliminates the need for a costly external patch bay. The crosspoint settings of the matrix can be stored in mixer snapshots, allowing the studio to quick re-configure between sessions. Flexible audio I/O configurations In addition to the standard audio I/O, the DMX-R100 has four option slots that can be configured from seven types of audio interface cards. These four slots allow a total of 32 input and output signals to be interfaced. Audio interface formats support are: analogue, ADAT, TDIF and AES/EBU, there is also a sample rate converter option for non-lock digital sources (AES/EBU and SPDIF). Comprehensive machine interfacing The DMX-R100 can be directly interfaced into virtually any multi-media machine control system. The standard machine control features include: timecode reader/generator, two RS-422 ports and midi (In, Out, Thru and MTC). The mixer can accept a wide range of international timecode modes. Cut switches and Pan can also be read and controlled from the midi ports, allowing the mixer to interface with PC based audio editors. Multiple synchronisation modes The DMX-R100 has a high precision internal reference generator that can be used as the studio master reference. Additionally, the mixer can be synchronised to an external video, wordclock reference or any of the digital audio input sources. The mixer always generates a wordclock output sync signal. Reliability The DMX-R100 is designed for critical audio installations that demand trouble free operation. The mixer is supplied with extensive diagnostics features and it is back up by the Sony service organisation. Supplied Accessories Power cable Operating manual
• Specs: Digital Inputs AUX RETURN: 4 ch, AES/EBU, XLR-3-31 type (x 2) Digital Outputs PGM OUT: 2 ch (stereo), AES/EBU, XLR-3-32 type (x 1) Analogue Inputs Analog IN-A 12 ch, +24 dBu max., 4.7 k, balanced, XLR-3-31 type (x 12) Analogue Outputs PGM OUT: 1/4" TRS jack and XLR-3-32 +4 dBu (+24 dBu max.), 10 k load, output impedance 150 , balanced Analogue Insertion Signal INSERTION (SEND/RETURN): unbalanced, 1/4" TRS jack (x 12) 12 ch, 0 dBu (+20 dBu max.), 10 k load, input impedance: 10 k, output impedance: 150 , Control Signal Inputs/Outputs Word Sync IN/OUT Duty 50 %, TTL Compatible, 75 , BNC (x 1, each) Signal Processing Characteristics Signal Processing 32/40-bit floating point Equalizer High Frequency (Peak/Shelf) 1 Fs : 622 Hz to 19.9 kHz (61 points) Filters High Cut Filter 1.48 kHz to 22.35 kHz (48 points), Dynamics Compressor/Ducking Oscillator Frequency 20 Hz to 20 kHz (28 points), 32 Signal level meters 20 segment LED Automation Title Configuration Snapshot Automation Contents Input routing, delay, phase, triming, input mode, filter, equalizer, dynamics, pan, assign, cut, fader, AUX Dynamic Automation Contents Filter, equalizer, dynamics, pan, assign, cut, fader, AUX Fader Resolution 10-bit (1024 steps) Audio Frequency Response LINE IN to PGM OUT 20 Hz to 20 kHz, 0.2 dB (typical) Total Harmonic Distortion LINE IN to PGM OUT 0.01%, at +4 dBs, 1 kHz (typical) Noise Level LINE IN -104 dBu, 600 terminated (-80 dB , 4 dB standard) (typical) Crosstalk Between Input and Output Channels 90 dB at 1 kHz Dynamic Range LINE IN to PGM OUT 104 dB A/D Converter 24-bit, x 128 oversampling D/A Converter 24-bit, x 128 oversampling Total Delay 2.5 ms (between LINE IN and PGM OUT), Fs = 48 kHz General Power Requirements AC 100 V (J), 120 V (UC), 240 V (CE), 50/60 Hz
• Shipping Weight: 150 lbs.